Monday, December 04, 2006

Play 365: Interview V (a.k.a., Holy Shit It’s Done!)

CHARACTERS
BEN, 17
MAN, middle-aged

(They sit on chairs facing each other on an otherwise empty stage, a small round table resting between them with two cups on it.)

MAN
The night has finally come.

BEN
Yup.

MAN
It’s finally over.

BEN
It is.

MAN
How do you feel?

BEN
Pretty mixed, but overall good.

MAN
How so?

BEN
Well, I’ll miss it. As much as it’s been a pain at times, and has been another thing I need to do, I have enjoyed doing it a lot. And I think it’s helped me grow as a writer too.

MAN
Are you happy to be done though?

BEN
Yeah, very. It’ll be nice to not have to do it every night anymore, gives me more time to do stuff. Maybe I’ll finally get some of that sleep I kept talking about not getting in my scenes.

MAN
Sounds like a good idea.

BEN
Definitely.

(Beat.)

MAN
Do you feel a sense of accomplishment on having finished?

BEN
Definitely. When I started I don’t think I really expected that I’d actually keep up with it for a whole year.

MAN
Did you indeed write a scene every day, or did you backlog or cheat on it ever?

BEN
I wrote a couple scenes a bit after midnight, and a couple times I had so much going on that I forgot, and wrote one on waking up the next morning. But close enough I figure.

MAN
Of course.

(Beat.)

And now the obvious question. How do you feel about your play-a-day project now that it’s complete. Do you consider it a success?

BEN
Yeah, I do. I may have a written a lot of scenes that are cop-outs or that aren’t particularly good, or in some cases are just flat out terrible, but that doesn’t bother me. I wrote some that I really like, and tried out a lot of new techniques, topics, and stuff like that. I got a lot better with playwriting, and learned a lot about writing in general, and I think myself too to some degree, as tacky as that sounds. I may not be happy with many of the scenes, but that’s not important, and is just how it goes writing something every day. I’m just glad that I kept it up and got it done.

MAN
That makes a lot of sense.

BEN
I like to think so.

(Beat.)

MAN
How hard did you find the project to be?

BEN
Not as bad as you might think. Thinking of ideas was always hard, as I’ve said before, but the actual writing of the scenes wasn’t bad. And it took some time, but I have time to kill, so it wasn’t too big a deal.

MAN
So it never did get easier to think of ideas?

BEN
Not even close.

(Beat.)

MAN
What do you think you’ll do with yourself now?

BEN
I’m not sure really. I’m going to keep writing, but not another daily thing. I’m not that ambitious, and I don’t have the energy right now sadly.

MAN
What do you think you will do then?

BEN
I want to get back to prose more. I’ve been writing some recently, but I’d like to focus more attention on it. It’s what I’ve done the most, and I enjoy reading it the most, so I’m looking forward to getting back to it again.

MAN
Do you think you’ll continue with playwriting?

BEN
Yeah, in some form at least. I bet I might take a break for a bit, but I really have come to enjoy it a lot. It’s an interesting medium, very different from any other forms of writing. I definitely plan to continue playing around with it.

(Beat.)

MAN
Do you think your scenes say much about you, or your general mental state and feelings throughout this year?

BEN
Yeah, definitely. I mean, some things about the scenes obviously don’t have anything to do with me, especially the comedic ones. But I think there’s a lot of truth buried down in there as well. Sometimes I’ll look back on a scene, or even just the title, and be able to remember the night I wrote it. On reading them I can often remember the mood I was in, and I think many of them are clearly products of how I was feeling. The whole project has been an interesting chronicle of this year, I think a lot of aspects of it mirror how I’ve been feeling and different thoughts that have been going through my head. Guess it preserves a bit of this last year permanently.

(Beat.)

MAN
Is there anything else you’d like to say?

BEN
Nothing much. Just, it’s been a really interesting, frustrating, and amazing project overall. I’ve hated it at times, loved it at others, and been somewhere in between the majority of the times. All I can say is, I’m glad I did it. Very glad.

(Beat.)

MAN
Anything else?

BEN
Just, thanks to everyone who’s read my scenes, given me feedback on them, good or bad, talked with me late at night online and put up with my whining repeatedly about how I couldn’t think of anything to write.

(Beat.)

And just everyone who’s been a friend to me over this past year. I know it sounds cheesy, but all of you have meant a lot to me. I don’t know how I would’ve made it through this year without you. Thank you so much.

MAN
Well said.

BEN
Thanks.

(Pause.)

MAN
Well, that’s all the questions I can think of.

BEN
Okay.

MAN
It was great talking to you again, and I wish you success in your further endeavors now that your play-a-day project has ended.

BEN
Thanks.

MAN
And just one more thing.

(Beat.)

BEN
Yeah?

MAN
I think you already know what I’m going to say.

(Pause.)

(They whip out toothbrushes with sharpened ends.)

(Beat.)

(They lie them down on the table, and reach over the table to embrace each other.)

(Blackout.)

Sunday, December 03, 2006

Play 364: Of Course

CHARACTERS
1, m
2, f

1
You’re really going.

2
I am.

(Beat.)

1
What time does the plane leave tomorrow?

2
Early.

(Pause.)

1
I still can’t believe it.

2
Me either.

(Beat.)

2
We’ll keep in touch though.

1
Definitely.

2
So it won’t be so bad.

1
I guess.

(Beat.)

2
What are you up to this week?

1
Just the usual.

2
Yeah?

1
Yeah.

2
Exciting.

1
Aren’t I?

(They laugh slightly.)

(Pause.)

2
Shit.

1
What?

2
I just have a lot to do today. I still need to finish packing, and there’s a few other things I need to get done before I leave.

1
I can imagine.

(Beat.)

2
I should probably go get started on all of it.

1
Okay.

(Beat.)

Give me a call when you get in, okay?

2
Of course.

(Blackout.)

Saturday, December 02, 2006

PLAY 363: Maybe Change Ain’t So Bad After All

CHARACERS
VINCENT, 17
ROLAND, 17

VINCENT
Know what’s odd to think of?

ROLAND
What?

VINCENT
How different you are now than even just a few years ago.

ROLAND
True.

(Beat.)

VINCENT
Earlier tonight I was thinking of how much I’ve changed since freshman year.

ROLAND
Yeah.

VINCENT
I didn’t realize how much I have.

ROLAND
It’s weird to think of.

VINCENT
I mean, I knew I had a lot. But I didn’t really know the extent of it until I thought about it specifically.

ROLAND
I know what you mean.

(Pause.)

VINCENT
I guess even if high school’s sucked, I’ve grown a lot.

ROLAND
Yeah.

VINCENT
Nice to know I got something out of it at least.

ROLAND
Always good.

VINCENT
Yup.

(Pause.)

VINCENT
Did you see Little Miss Sunshine?

ROLAND
No, I didn’t.

VINCENT
Oh.

(Beat.)

ROLAND
Why?

VINCENT
Nevermind, this conversation just reminded me a lot of this one part of it.

ROLAND
Oh.

(Pause.)

VINCENT
I like it though.

ROLAND
What?

VINCENT
How I’ve changed. Overall, I’m quite happy with how I’m different now.

ROLAND
That’s good.

VINCENT
It’s kind of nice to think of once in a while. Keeps my over-self-criticalness in check a little.

ROLAND
Always good.

VINCENT
Yup. Indeed.

(Blackout.)

Friday, December 01, 2006

Play 362: That Long?

CHARACTERS
MARTIN, early 30s
HENRY, late 20s

MARTIN
Is he in there?

HENRY
Yeah.

(Beat.)

You should go talk to him.

MARTIN
I know.

(Pause.)

MARTIN
How have you been?

HENRY
I’ve been okay.

(Beat.)

Me and Maria got divorced.

MARTIN
I heard.

(Beat.)

I’m sorry.

HENRY
It’s okay.

(Beat.)

How’ve you been?

MARTIN
Same as ever.

HENRY
That’s good.

(Pause.)

HENRY
How long has it been?

MARTIN
Christmas was the last time I saw all of you.

HENRY
Last Christmas? Or was it the year before?

MARTIN
Three years ago.

HENRY
That long?

MARTIN
Yeah.

(Pause.)

MARTIN
How is he doing?

HENRY
Go see for yourself.

MARTIN
That bad?

(Beat.)

Is he doing any better?

HENRY
No.

(Pause.)

MARTIN
I need to change my plane tickets.

HENRY
Why?

MARTIN
So I can stay longer. For the…

(Pause.)

HENRY
He wants to talk to you.

MARTIN
I know.

(Beat.)

I’ll be back out in a bit.

HENRY
I’ll be here.

(Blackout.)

Thursday, November 30, 2006

Play 361: Slipped My Mind

CHARACTERS
BARRY, mid 20s
ELIZA, mid 20s

(They sit at a table eating breakfast.)

BARRY
You’re quiet today.

ELIZA
I am?

BARRY
Very.

ELIZA
Oh.

(Beat.)

BARRY
Is something wrong?

(Beat.)

ELIZA
No.

BARRY
What is it?

ELIZA
Nothing.

BARRY
Are you sure?

ELIZA
I’m fine.

(Pause.)

BARRY
Did you sleep well?

ELIZA
Fine.

BARRY
That’s good.

(Pause.)

ELIZA
It’s my birthday.

BARRY
It is?

ELIZA
Yes.

BARRY
Oh.

(Beat.)

Happy birthday.

ELIZA
(Flatly)
Thanks.

(Beat.)

BARRY
Sorry. You know how bad I am with birthdays.

(Beat.)

ELIZA
Yeah.

(Pause.)

(He stands up and picks up his plate.)

BARRY
Can I get your plate for you?

ELIZA
No, don’t worry about it.

BARRY
It’s no problem, I’d be glad to.

ELIZA
No thanks. I’m fine.

BARRY
Okay.

(Pause.)

(Blackout.)

Wednesday, November 29, 2006

Play 360: Naivety

CHARACTERS
1
2

1
I need to leave.

2
Stay a little longer.

1
I have to get out of here.

2
Just a little.

1
I can’t take it.

2
One more minute.

1
No.

2
It’s not like you have a choice.

1
What?

2
You really thought you could leave?

1
I can’t?

(Pause.)

1
Why can’t I?

2
It’s how it works.

1
Why?

2
There is no why. Just how it is.

1
But that’s not fair.

2
No, it isn’t.

1
Oh.

2
Don’t be so naïve.

(Beat.)

1
But I need to leave.

2
That’s unfortunate.

1
Why are you doing this to me?

2
I’m not doing anything.

1
Then let me leave.

2
I’m not stopping you.

1
So I can leave?

2
No.

1
But you said—

2
I said I Wasn’t stopping you.

(Beat.)

1
Oh.

(Beat.)

(2 laughs.)

1
What?

2
So naïve.

(Blackout.)

Tuesday, November 28, 2006

Play 359: All

CHARACTERS
VINCENT, 17
PERRY, 17

VINCENT
Know what’s odd?

PERRY
What?

VINCENT
How aesthetic values are completely a product of a society.

PERRY
I don’t know…

VINCENT
What?

PERRY
I think people have some innate sense for them.

VINCENT
But look at past buildings, or clothing, or cars. Anything. It all looks ridiculous now.

PERRY
Some.

VINCENT
Most.

PERRY
I guess.

(Beat.)

VINCENT
Or what people consider attractive.

PERRY
That’s a good point. It’s pretty different now than what it used to be.

VINCENT
Yup.

(Pause.)

VINCENT
Makes you wonder how much of what we think is learned.

PERRY
Yeah. The old nature versus nurture.

VINCENT
Yeah. I mean, if something as basic as what we find aesthetically pleasing is completely reliant on it, what else is?

PERRY
Who knows.

(Beat.)

VINCENT
Weird to think of.

PERRY
Definitely.

(Beat.)

PERRY
Why do all your scenes end like that?

(Beat.)

VINCENT
Some of them.

PERRY
Most.

(Blackout.)